Every great edit serves two audiences: the viewer and the client. The best edits keep audiences engaged while ensuring the client’s message lands with clarity and impact. That’s what I bring to every project.
My foundation is storytelling. I began my career in Hollywood at Paramount Pictures and Warner Bros. My screenwriting has earned five competition wins and multiple additional honors including a fellowship. I’ve also published fiction and have been commissioned to write a variety of other projects including short films and vertical “micro-dramas.” My award-winning TV pilot, “Frankenstein Unleashed,” was the #1-ranked Sci-Fi Television screenplay on Coverfly’s Red List and remained one of its highest-ranked projects for years.
On the Enterprise set at Paramount
Those experiences shaped how I think about story: structure, pacing, emotion, and audience engagement, and ultimately led me to expand into editing. Today, I apply that same story-first mindset to helping filmmakers, brands, and creative teams create stronger, more engaging content.
Beyond creative work, I’ve spent more than twenty years leading complex projects for Fortune 500 companies and organizations across multiple industries. My experience includes work on more than 24 pharmaceutical brands for companies including GSK, Merck, and AstraZeneca, as well as projects for organizations ranging from Comcast to NASA. I’ve also taught screenwriting as an Adjunct Professor at Drexel University. I’ve also taught screenwriting as an Adjunct Professor of Screenwriting at Drexel University.That background taught me how to communicate effectively, manage competing priorities, solve problems collaboratively, and consistently deliver on commitments.
At the Kennedy Space Center with the Space Shuttle Atlantis the day before launch of mission STS-129.